Film Review: Await Further Instructions (2018)

Screened at The Walter Reade Theater at Film Society of Lincoln Center, 8pm showtime. Movie Theater Snacks: a bottle of water. Is that considered a snack?

My favorite film festival has returned: Scary Movies XI at Film Society. Brand new horror films from around the world making their North American debut. I love it! I’ve seen some of my favorite movies here for the first time.

I was drawn to this movie because of its synopsis: a dysfunctional family wakes up Christmas morning to discover their entire house is surrounded by a black substance with no way out, and their only connection to the outside world are the words on the television “Await Further Instructions.”

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It’s a unique premise, and despite it’s extremely rushed set-up, the film settles into it’s Thing (John Carpenter joke… ha… ha…) rather quickly. Paranoia is high and no one is to be trusted. I liked everything the movie did, but each scene just left me wishing it had gone even further. It’s crazy, tense, and funny, but not crazy, tense, or funny enough. I wish it had gone to 11. Spinal Tap joke… ha… ha…

With that said though, the ending of the film is truly insane and I loved it. But just as before, I wish it had gotten insane sooner, so the filmmakers could have spent more time in the Cronenberg grossness of it all and explored the ideas it brings up.

Await Further Instructions is a really enjoyable ride. The ending is wonderful, even if it does take a little while to get there. It doesn’t do anything astounding in the genre, but it’s a welcome addition. I had plenty of fun with it and I highly recommend you check it out.

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Film Review: A Star Is Born (2018)

Screened at Regal Kaufman in Astoria, 10:15pm showtime. Movie Theater Snacks: Snickers Ice Cream Bar. Words of advice, don’t eat ice cream at the movie theater. Toooo messy.

A Star Is Born, but is it really Lady Gaga?

Two weeks before the movie came out, I had bought my tickets for A Star is Born. I was ready. Beyond excited. Although I was unfamiliar with the many adaptions of A Star Is Born: the 1937 original, and the 1954 and 1976 remakes, I was stoked to see Lady Gaga on the big screen. Who doesn’t love Lady Gaga? If you don’t, you’re lying to yourself. Admit it.

Although I haven’t seen the remake from the 50’s or the 70’s, I did wonder, how could Lady Gaga compare to Judy Garland and Barbra Streisand? I know she’s massively successful with her phenomenal voice, but she’s following in the footsteps of two of music’s greatest legends. Boy was I wrong.

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Bradley Cooper & Lady Gaga, in the infamous scene, singing Shallow

A Star Is Born is a Star of a film. It’s extraordinary. It’s fantastic. It’s stellar. It’s perfect. I was wrapped up from the moment it started, following Jackson Maine walking from backstage out into a roaring crowd, cheering him on as he picked up his guitar and started rocking. It doesn’t take very long until we meet Lady Gaga’s character, Allison, who is the only female singing onstage at a drag bar. Jackson Main, looking for a drink, stumbles into the right bar at the right time. They meet, and thus begins our incredible journey.

The music slaps. Cooper and Gaga’s song Shallow was stuck in my head for days after I left the theater. The first time we hear the song is in a parking lot at 4am. Ally belts the tune out acapella, but it’s just as powerful. Soon after, we get to hear the song played by a full band and sung by Ally and Jackson both. It’s a great moment in the film that fills your body with chills.

Lady Gaga was already a star following her music career, obviously, but now we know she’s a star on the big screen. Bradley Cooper’s direction is precise and fluid. (Even though, admittedly, you can tell he’s a first time filmmaker.) A Star Is Born should be seen by everyone. It’s going to be a hot movie at next years Academy Awards.

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Film Review: Happiness (1998)

Screened at Museum of The Moving Image on 35mm, 3pm showtime. Movie Theater Snacks: nothing, because the Moving Image doesn’t allow snacks in their theater. I respect it.

Directed by Todd Solondz, Happiness is a dark comedy film that follows a family and all the people they interact with in their lives, and then follows those people and who they interact with, and then follows them… and how each individual is searching for happiness. It touches on nearly every social topic you can think of, and does so with controversial grace. The film is two and half hours, and never feels slow or overcrowded.

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There are 21 named characters in the movie. A beautiful housewife with the perfect home and perfect family. A lonely perverted office worker with a drinking problem. A famous novelist who feels fake on the outside. A well-to-do therapist who is a secret pedophile. An old couple who doesn’t love each other anymore. Their lonely daughter who just wants to fall in love. A young, pubescent boy who wants to orgasm. Even with all these characters in the film, you have a genuine interest in every single person and cannot wait to get back to their story. It’s never dull, never boring, and completely captivating.

The film touches on some extremely dark and controversial topics, but does so with extreme respect. I mean, there is no respectful way to discuss pedophilia. Just by having a character in the film with these desires and treating him like a human is already going to bring some controversy. The film talks about pedophilia, rape, murder, and mass shootings (which is far more difficult to stomach 20 years later). The film does not use these themes to shock or cause distress, but instead uses them in the story to make a point and bring about change. The least suspecting people are the ones who may have these negative qualities. Sometimes it’s better to talk about things than it is to ignore them.

Todd Solondz direction is subtle and simple. It’s never showy, and because of that, it allows the audience to focus in on the story. No fancy camera moves or quick edits to influence your thoughts. Just the characters and their decisions. And that alone makes it a beautiful movie to see. It’s also a time capsule of mid-90’s New Jersey, which offers some great laughs.

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Speaking of laughs; despite the films dark nature, it is absolutely hilarious. If you’re not laughing at a genuinely funny moment, you’re probably laughing with nerves during it’s awkward moments. It balances perfectly on a fine tight-rope between trashy and respectful, and each moment that is meant to be funny, will definitely put a smile on your face.

Happiness is a masterpiece of storytelling. A simple movie that can be picked apart and analyzed, teaching dozens of lessons to those struggling with the day-to-day grind. Not only the best of Todd Solondz entire filmography, but one of the best films of the 90’s.

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